As a follow-on from the previous post here is a video clip demonstrating the audio response to the movie clip and live camera feed. Note the change in pitch when light an
As a follow-up from the previous post, here is a clip showing the patch along with audio. Note how the pitch changes when light and dark objects are presented to the camera.
Here’s an experiment in Max/MSP/Jitter using the Chromakey and Kaleidoscope presets. There is also audio that responds to the RGB values of both the live camera and the fractal animation (not recorded on this example). Below is a screenshot of the Max patch.
Here’s a couple of test renders – animation to follow!
I am currently working on a collaborative piece based upon the French composer and organist Jehan Alain’s seminal piece – Litanies.
I first heard this piece in 2013 during a tour with Simon Brett and a choir at Exeter Cathedral, UK. I have heard it a few times since then and have subsequently felt inspired to work on an animation based upon this piece.
The piece, composed in 1939 in the atonal style, is influenced on a train journey and later dedicated to one of Alain’s sisters who died tragically in a climbing accident not soon after the piece was created.
The self-similar repetition of the musical phrases lends itself to the reiteration of a visual fractal, hence my interest and keenness to work with this piece.
Simon Brett played Litanies as the finale to his organ recital at Dunblane Cathedral in July 2015 – the recording of this is the audio soundtrack to my project. My thanks to Simon and everyone up there for this.
I have been working Mandelbulber and have tonight found some amazing images:
The ACM SIGGRAPH Digital Arts Community Altered Books Digital Interventions exhibition is now online! This exhibition includes a couple of images from my Jabberwocky series
The images will also be included in a showreel at the 2015 SIGGRAPH conference this August at the LA Conference Center, USA.
Here’s some experiments using Mandelbulber, a program developed by Krzyszof MARCZAK:
Here’s the stills for the Jabberwocky